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Joined 2 years ago
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Cake day: June 16th, 2023

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  • My brother liked Cars and Trucks and Things That Go so much that it became all he wanted my mom to read him. To entertain herself she started reading it as Cars and Trucks and Things That Stop, just using opposites for as many words as possible. This, of course, backfired and after his initial frustration, my brother preferred her to read it this way.







  • And even then, I’m fine to browse a menu on a mobile-friendly site (as long as the restaurant is diligent about providing reliable wifi for anyone who might not have great signal). But when the code has me download a PDF, they can fuck right off. First of all, I don’t need the menu sitting in my cache or download folder. And when the PDF was clearly formatted for physical printing… Good lord. I’m not pinching and zooming this shit.



  • It’s worth noting though that the shitty music of yesteryear doesn’t persist in the public consciousness. When we think of music from previous generations, we’re thinking about the stuff that was good enough to last (or bad enough, I suppose, if it’s notably bad). So the popular music of today may seem to be dominated by shit, but you’d have to examine what else was on the airwaves of a given era to really make a good comparison.

    I also think there’s two major factors brought on by technological advancement and they both have a positive side. There are a lot more avenues to discover music than there have ever been. Musicians no longer have to be extremely talented and have broad appeal to reach an audience. From the listener’s point of view, it’s much easier to find good music that fits your particular tastes. And I think that in turn leaves more room in the mainstream avenues for lower quality but broadly appealing music.

    The other factor is the accessibility of the technology to make and share music, which I think makes it easier for both “good” and “bad” music to find it’s way outside of the artist’s bedroom, so to speak.